Image Line Harmor

Image LineSKU: 1035-95
filler

Price:
$119
Stock:
In stock

Digital Product This product may only be downloaded from the manufacturer’s website. You will receive an email with the license code to complete your order. Enjoy a safe and fast way to get the latest version and full support direct from the manufacturer.

Description

Powerful Additive/Subtractive Synth


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Introducing a powerful additive / subtractive synthesizer, image synthesizer as well as audio resynthesizer, Harmor.

ADDITIVE / SUBTRACTIVE

Just like its little brother Harmless, Harmor is driven by a powerful additive synthesis engine. Its modules will look familiar to subtractive synthesizer enthusiasts: oscillators, filters & phasers, these are featured in Harmor but, because performed through additive synthesis, offer more freedom. You don't just select filter types, you draw them.

You wanted more, so also featured is the multipoint envelope editor of Sytrus fame, applied to over 40 parameters, in 2 independent parts. Through the same envelope/mappings, randomize any parameter or link it to key or velocity, and even fine-tune each unison voice independently.

Processing units can be rearranged in a semi-modular way. If you need one of the 2 filter units processed after the blur unit, that's no problem.

IMAGE SYNTHESIS

Because it typically requires manipulating large amounts (up to 500 per voice) of partials over time, additive synthesis is hard to handle. No human can (or even wants to) edit 500 envelopes, but editing 2D images, that we can do easily. Get access to gain & pitch planes which you can tweak in the image editor of your choice, and import any bitmap, even if it wasn't designed to be turned into audio, it might still sound interesting.

AUDIO RESYNTHESIS

Being an additive synthesizer, Harmor can resynthesize audio files as well. The reproduction will be faithful, not a vague sound-alike as in many additive synthesizers. Resynthesis can of course be tweaked, providing time stretching, pitch shifting, or less conventional manipulations of partials.

And of course, the result of the analysis can still be turned into an image for further editing.

EFFICIENT

Additive synthesis is generally very CPU-consuming, but not Harmor's engine. Its efficency is in fact, comparable to that of subtractive synthesizers. Voices may be generating hundreds of harmonics in parallel and still not overload the CPU. Processing being multi-threaded, extra CPU cores come in handy.

System Requirements

2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support
512Mb RAM.
30Mb free disc space.
DirectSound or ASIO compatible soundcard.

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