What you can do with Signature Bundle?
-Audio editing and manipulation including pitchcorrection, pitch shifting, harmonization, time-stretching, beat-detection& slicing, audio warping and standard audio manipulation (cut/paste etc)
-Automate most interface and all plugin parameters byrecording, drawing, spline-based automation curves, automation generatorswith formula based control of links
-Be hosted in other DAWs as a VST or connected throughReWire
-Live music performance including video effectvisualization
-Mix and remix audio including apply real-time audioeffects including delay, reverb & filtering
-Multi-track audio recording up to the limit of youraudio-interface inputs
-Record & play MIDI input recording fromkeyboards, drum pads and controllers
-Sequencing and arranging with pattern and linearworkflow possible
-Synthesizer & effect plugin hosting VST 32 & 64 bit, DX and FLNative formats
Image Line FL-STUDIO-20-SIG Includes:
-Make virtually any sound – FL Studio includes over 30software synthesizers covering acoustic/synthetic bass, electric guitar,multi-sampler tools including piano & strings, general sample playback andbeat-slicing (With Rex 1 & 2 support)
-Multi-channel audio inputs - With the ability tosimultaneously capture all the inputs on your audio-interface, FL Studio hasthe flexibility to record a single vocalist, guitar or a fullsymphony orchestra
-Arranging audio - Audio can be arranged, withcomplete freedom in the Playlist. Features include the ability to host anunlimited number of audio recordings, time-stretching, pitchshifting, beat-slicing, cropping, editing and the re-arranging of audiowith only a few mouse clicks
-Pattern or track sequencing – You choose, record yourmusical performances and ideas in the most logical way. FL Studio 20 cansimultaneously function as a pattern and track based sequencer. Reuse patternsas Pattern Clips in the Playlist or record song-length sequences, as desired
-Step sequencer or Piano roll - Scoring tools includeFL Studio’s legendary Step-sequencer, one of the most advanced Piano roll’s inany software studio, event and multipoint automation envelopes. FL Studiosupports MIDI input, standard controller compatibility, and the abilityto simultaneously control multiple instrument channels from separatecontrollers
-Determine your own project design - In FL20, youdecide how your project will be laid out, including multiple ‘Arrangements’.Unlike the competition, FL20's Playlist is a totally flexible andvirtually unbounded workspace where Note Pattern, Audio and Automation datacan be arranged and edited to suit your creative ideas and preferred workflow
-The mixer - is about precision, control andflexibility. The mixer’s tracks each hold up to 10 effects (VST or FL'sproprietary format). To create sub-mixes or mixing chains ofalmost unlimited complexity, each mixer track can be routed to any othermixer track or the Mastertrack. Sends provide the ability to sidechain inputsto multi-input effects plugins. Finally, each of the mixer tracks can berouted to any output on your audio interface, now that’s flexibility
-Effects - What about effects? FL Studio includes more than 40 effectsspanning maximization, limiting, compression, delay, distortion, equalization(graphic & parametric), filtering, phasing, flanging, chorus, vocoding andreverb. These have you covered for the creative broad-brush effects, throughto the minutia of the mastering process.
Image Line FL-STUDIO-20-SIG Features:
-Newtone – Pitch corrector/editor. Correct, slice,edit, stretch vocals, instrumentals and other monophonic recordings.Convert audio to MIDI data and re-pitch any monophonic melody to another
-DirectWave (Update) - Zone's loop types can now beset for all selected Zones at once. New 'Copy to selected zones' optionfor some Zone parameters
-Harmless synthesizer - Subtractive synthesis using an additive synthesisengine, but why? The subtractive-additive process can create sounds that aresimply not possible or if they are, tediously complicated to program usingsubtractive synthesis alone. With Harmless, filters and phasers can beassigned unusual shapes and slopes, the slopes can even be defined in Hzresolution instead of octaves. Finally, Harmless gains control of eachpartial's frequency, opening a world of new possibilities for creatinginnovative sounds. But all that is just detail, put simply, Harmless is aground-breaking subtractive-additive synthesizer that sounds amazing, has ahuge repertoire and invites experimentation, as you are about to discover.
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